EPISODE 2.6 – REVELATION
SETTING – Outdoors, birds.
Footsteps.
DOMINIC
Rox! You’re out!
ROXANNE
(stoked)
Yep!
DOMINIC
DId you get it!
ROXANNE
I did, miraculously. Did you ever doubt me?
DOMINIC
Always.
ROXANNE
C’mere.
They kiss.
ROXANNE
*takes a deep cleansing breath*
If I ever talk about doing something like that again, tell me not to.
DOMINIC
I told you not to do it this time.
ROXANNE
Yeah, well, do a better job next time. That was nuts. So many things that could go wrong. I might not even be here now but I had Carrie Kray on my side.
DOMINIC
How so?
ROXANNE
She was there, when everyone else was out, because she’s not really one of them. But then she ran to the bathroom, because she cares what they think and didn’t want to be having a scene in front of them. But, of course, they wouldn’t have cared. Or would they? We’ve got to learn more about what they do and don’t care about.
DOMINIC
You’re rambling.
ROXANNE
*laughs*
Sorry, I’m still coming down. Whew!
DOMINIC
What’s the plan now? We didn’t set up an “everything went perfectly” contingency.
ROXANNE
We split up. You give Nick her thingy back, then take this USB stick to Thee, and tell her it’s a copy of data I stole from Kray. Whatever else you tell her is up to you. I’m going home.
DOMINIC
You know, sending this through me isn’t going to protect you. Thee’s going to find you sooner or later.
ROXANNE
I know. I’ll sneak out later like usual, and I can face the music then. I just want to see the folks one more time, in case Thee decides to lock me up or smuggle me out of here for my own safety or something.
DOMINIC
Right. But before you go: What was it like? Actually doing it.
ROXANNE
It was amazing. Like I was really alive for the first time. But I’m completely okay with never living like that again. I don’t know what to do with all the energy.
Beat.
DOMINIC
I know what you could do with it.
ROXANNE
Yeah, I bet…Huh. You know what Evans, just in case Thee DOES send me off somewhere, help me work off some tension before I see the fams.
DOMINIC
Glad to oblige.
ROXANNE
*pleased noise*
SETTING – SCHOLL HOUSE.
Quiet for a moment, then the door opens, letting in cricket sounds, and closes again, shutting them out.
SHELLY
*anger seething below Looker exterior*
You are late for dinner.
ROXANNE
*jolly*
Shel, I specifically asked you not to call me that. Call me anything else you like, but don’t call me that.
SHELLY
*sighs*
As always, a joke.
ROXANNE
It’s how I cope with life’s trials and tumults.
SHELLY
Well then, you should probably get another joke ready.
ROXANNE
*catching her changed mood for the first time*
Wait, what’s wrong? Why is the light in the kitchen out? Where’s Mom?
SHELLY
Our mother’s body is in the morgue.
ROXANNE
WHAT?!?
SHELLY
The rest of her lives on in us.
ROXANNE
You- She can’t- How could this happen?
SHELLY
I see that your jokes have failed you.
ROXANNE
Okay, shut up. Tell me what happened.
SHELLY
Please explain how I can both shut up and tell-
Roxanne slaps Shelly hard across the face.
SHELLY
Roxanne, I understand that you have flimsy control over your emotions. But if you raise your hand to me again, I will put you in the hospital.
ROXANNE
*losing her composure, breathing heavily*
I’m sorry.
SHELLY
And only the self-control that the Unity gives me will stop me from laying you out permanently next to our mother.
ROXANNE
*still losing it*
Please, just tell me what happened.
SHELLY
That is still under investigation.
ROXANNE
But do you know?
SHELLY
I know certain facts. But I am not authorized to share them with you.
ROXANNE
Can’t you tell me anything? Was she sick? Was she murdered?
SHELLY
I will tell you one thing, if you will do me…a favor.
ROXANNE
What?
SHELLY
Do you agree?
Beat.
ROXANNE
Yes.
SHELLY
She fell from the roof of the Liaison building. Fell or was pushed.
ROXANNE
Oh God. Who would do that?
SHELLY
That is the subject of the investigation. Now to my request.
ROXANNE
What is it?
SHELLY
Start your nocturnal adventure early tonight. Do not wait for dinner. Take something to eat from the refrigerator, and go. Do not come back until after midnight.
ROXANNE
*surprised at how deeply this hits her*
Why?
SHELLY
When Father comes home from the morgue, I would like to share my thoughts…and feelings…about this…with him, alone.
ROXANNE
I should be here with you guys. She was my mother too.
.
SHELLY
You have the entire rest of your life to be here. For tonight, be elsewhere. You…promised.
ROXANNE
*deep breath*
Okay.
Roxanne goes to the kitchen, opens the fridge, takes out some fruit and a roll, closes it, starts to walk out, opens the door. Cricket sounds resume.
SHELLY
And Roxanne…
ROXANNE
Yes?
SHELLY
She really did love you, after the Look. It was not an act.
ROXANNE
I know that, dummy.
Door closes, silence returns,
SETTING – LIAISON OFFICE
CARRIE
I still find it difficult to believe that something like this could happen. I’ve never heard of anything like it happening before. I have to wonder if it’s the Unaltered at work. I know that some of them didn’t like her, even with everything she did for them.
BRENDA
Carrie…our footage of the roof entrance shows that she entered it alone. And no one else went through the door before those investigating her death.
CARRIE
There are other ways on and off a roof.
BRENDA
That’s true but…Carrie, you were working with Sylvia closely. Did you find her to be…having any difficulty keeping her emotions contained?
CARRIE
Well…yes, I did. She was pursuing the Evans boy in a very emotional manner. Like it was personal between them. And there were other signs.
BRENDA
But you did not report this?
CARRIE
I…didn’t feel it was my place. I spoke to her about it, and hoped it would get better. I suppose I should have done more.
BRENDA
You lapse does not merit punishment, Carrie, so do not punish yourself. Many of us were aware that Sylvia was undergoing some measure of turmoil, but we all had our reasons for leaving it be. Perhaps we should be careful about our feeling of superiority to the Unaltered, the assumption that we take care of each other while they each live for themselves. We may have let our biological connection make us complacent about actively reaching out.
CARRIE
But…I’ve never heard about anything like this happening before.
BRENDA
We do not normally speak of such things outside the Unity, but they do happen. The Look is not always perfectly transmitted, and not all brains are perfectly suited for it. Most cases of self-harm happened soon after receiving the Look, and following more visible trauma, but the circumstances here would not be unprecedented.
CARRIE
So you’re not investigating the possibility of Resistance activity?
BRENDA
We are investigating all available evidence. All Unaltereds who entered the building today were accounted for at that moment. We have video of Sylvia’s Unaltered daughter leaving through the main lobby minutes before her death. Perhaps the two of them had words which aggravated Sylvia’s problems.
CARRIE
Does the daughter know?
BRENDA
She has been notified.
CARRIE
Hm. I would have liked to have been there when she found out.
BRENDA
The Altered sister shared that complete experience with me. Roxanne showed every sign of extreme shock and surprise.
CARRIE
Where is she now?
BRENDA
She is at large. I would speculate that she will be seeking out her own kind to mourn with. You can certainly interview her if you wish. But I would not want this matter to distract you from your primary mission.
CARRIE
Well, that mission is a waiting game for now. I’ve set something in motion that should either pay off shortly or show that we have a long way yet to go. Until that happens, I would welcome a distraction.
BRENDA
Well, in that case I will have the family wait up for her, and notify us when she returns, although my understanding is that that will not do so until quite late. Would you want to interview her then?
CARRIE
Mmmmm…I want to, but I’d better not. It would be great to get her when she’s tired and unprepared, but given that she’s probably innocent, and in the midst of grieving, it would be bad for community relations. I’ll have some of the people you assigned me watch the house and make sure she doesn’t leave again, and then I’ll visit her in the morning.
BRENDA
That seems very sensible. Well in that case, good luck in all of your investigations. I must say, your application to this sort of work have more than justified our confidence in you.
CARRIE
Thank you very much. It may be difficult to go back to reading news now. It seems like there’s so much to be done.
BRENDA
That is certainly something we can discuss, when the time comes. For now, good hunting.
SETTING – CHARLES’S APARTMENT
Soft classical music is playing. Roxanne knocks on the door. After a few moments, it is opened by Jeremy. He is an extremely correct Looker.
JEREMY
Yes?
ROXANNE
Hello, you must be Jeremy. I’m Roxanne Scholl. I visit here sometimes, for the Liaison Office.
JEREMY
My father and I have already had our dinner.
ROXANNE
Oh, it’s not about that. I was just wondering if I could speak with him for a little bit.
CHARLES (next room over)
Who’s at the door? Is that Roxanne?
JEREMY
*To Roxanne*
Hm.
*To Charles*
Yes it is, Father.
CHARLES (next room over)
Well bring her in. Unless she’s here to ask you out.
JEREMY
Are you here to ask me out?
ROXANNE
Um…no.
JEREMY
Then please follow me.
Roxanne closes the door behind her, and they step into the next room. The classical music gets slightly louder.
CHARLES
Roxanne! How nice to hear your voice. Welcome to my inner sanctum.
ROXANNE
Nice to…see you, Mr. Timmons. I’m here…I wanted to talk with you for a few minutes, if that’s okay. It’s nothing work-related.
CHARLES
Wonderful! Jeremy, that’s your cue to exit. Close the door behind you, and no listening.
JEREMY
*slightly offended*
Of course.
Jeremy closes the door.
CHARLES
Have a seat, Roxanne. What’s on your mind?
ROXANNE
There’s a lot…I don’t know how much of it I can talk about. It’s just…I can’t talk to the people who’d understand right now. My boyfriend and the closest thing I have to a girl friend are off with…with someone who’s probably really mad at me. And I can’t deal with facing her or the Lookers right now. But I have to talk to someone because my brain feels like it’s on fire…
CHARLES
Slow down, girl. Just tell me one thing, and we’ll work on that.
ROXANNE
My Mom died today. I can’t believe I’m saying that.
CHARLES
That’s a big blow.
ROXANNE
That isn’t everything.
CHARLES
But it’s enough for now. Your mother is…was…a Looker, as I recall.
ROXANNE
That’s right.
CHARLES
So you lost some of her months ago.
ROXANNE
Yeah. You’d think that would mean this was no big deal. But there were bits of her left, even without…well even just talking to her. She was still…she was one of them, but she was still Mom. And I guess she was something else too, something new, but I was learning to love that a little.
CHARLES
And that’s why you came to me. Because I live with Jeremy. You and I are both Stayers.
ROXANNE
I…didn’t think it through that far.
CHARLES
You’re groping in the dark…blind, you might say. But your instincts are taking you to the right places. They’ll do that, if you’ve got good ones and develop them well. Do you have more Looker family, here?
ROXANNE
My sister and my Dad. But…she and I had a fight, and she kicked me out of the house.
CHARLES
For good?
ROXANNE
Just for tonight.
CHARLES
So it’s still your home.
ROXANNE
Yeah, it is. And I love them too. Shelly…I’m sure if this had happened before the Look we’d have fought anyway, and she’d have wanted to do the same thing.
CHARLES
So it sounds like you have love and friendship around you, you just have a tendency to piss people off a little.
ROXANNE
Accurate.
CHARLES
So you’ve angered the people who love you before?
ROXANNE
Yeah.
CHARLES
And did they stop loving you?
ROXANNE
No. I’m hard to shake off.
CHARLES
Then this will probably pass, too. You just need to give it some time.
ROXANNE
I will. And maybe in even a few hours I can be strong and hear them all out. But- but right now. I…I really need my mommy.
*breathes*
CHARLES
That’s understandable. But be careful of that word. Need. You want your Mom. You would benefit from her presence. But we as beings are designed to continue without our parents. Nature has cried it, from the first corpse, to she that has died today: “This must be so.”
ROXANNE
But…there’s something else. Something I…want…her to forgive me for.
CHARLES
There always is.
ROXANNE
Not like this.
CHARLES
If it’s like that…then I’m afraid you can’t tell it to me. Jeremy’s a good boy, but he’s also a good Looker. And who knows who else might be listening? But I’m sorry about your mother, and I’m sorry I never got to meet her. It sounds like she was quite a woman.
ROXANNE
She was…a lot to live with. I just feel like I should have appreciated her more.
CHARLES
Well, you appreciate her now. And we parents don’t sign up to this job for the applause. Well, maybe some of us do, but we learn better. And I’m sure she had some inkling about how you felt.
ROXANNE
Yeah, I think she did.
CHARLES
Well then, you don’t have to be sad for her, just for yourself. And I have a feeling you’re someone who won’t let self-pity grip you for long. Feel it, let it wash over you, and then move on, perhaps to addressing the other thing.
ROXANNE
I will, but…is it okay if I stay here for a while? Just hanging out? I’ve…got a book.
CHARLES
That’s good. Jeremy doesn’t read, and I don’t think my books would do you much good. What have you got?
ROXANNE
It’s called Hellborn. It’s…a pretty trashy horror thing I picked up. Make that…really trashy. There’s this demon, and he gets spread from person to person, like a venereal disease.
CHARLES
Hm. I don’t think I’ll be asking you to read it to me.
ROXANNE
What are YOU reading?
CHARLES
Hamlet. I’ve got the Complete Works here. I don’t just read classics, I wish I had more modern stuff. But it came in handy tonight; I don’t always have a relevant quotation lined up.
ROXANNE
Mom and Dad didn’t read much. He had some World War Two stuff, and she had some celebrity books, but they mostly watched TV. Sometimes…after the Look, it was nice how quiet the house was. I know that’s terrible. And now it’ll be even quieter.
CHARLES
No one’s asking you to hate everything about the world, Roxanne. We’re just expecting you to improve it.
ROXANNE
It’s not easy.
CHARLES
I know. Every generation discovers that, so they have another one that they hope will do better.
ROXANNE
And maybe give you some applause.
CHARLES
Heh. Not in this lifetime.
SETTING: Outdoors. Crickets.
Roxanne walks along, stops when she hears running feet.
DOMINIC
*whisper shouting*
Rox!
ROXANNE
*weary but composed*
Heya.
DOMINIC
I was expecting you to be coming from your house.
ROXANNE
Shelly threw me out.
DOMINIC
Oh wow.
ROXANNE
It’s no big. I think things are okay.
DOMINIC
Good to know.
ROXANNE
Did Thee send you to take me in?
DOMINIC
She sent me, but just with some info. The stuff you brought in is big. Scientific stuff that Thee wouldn’t talk about, but also a bunch of our own Intelligence stuff the mole sent to the Lookers. They’ve already decrypted some of it, and we’ve got runners going all over the place to warn the people who are in danger. And Nicole’s already on the road taking the original stick to the Intelligence office.
ROXANNE
Huh. Poor Jim is going to have to do without a love letter from Shelly this time. What about me?
DOMINIC
Thee really wanted to lock you in a basement somewhere, but she says that, with all they’re doing, they don’t have the personnel to keep you hidden, or to get you out safely. So you’re supposed to pretend that everything’s normal for a while. Well…not normal I guess. I heard about your Mom.
ROXANNE
Ugh.
DOMINIC
I’m sorry. I…have to admit, she wasn’t my favorite person, but I’m sorry.
ROXANNE
If there wasn’t a Look, I think you would have gotten along eventually.
DOMINIC
If there wasn’t a Look, you’d still be dating bikers.
ROXANNE
Heh. Maybe. Could use one now, to burn rubber and get me out of here.
DOMINIC
Hopefully one with a lot of gas rations.
ROXANNE
Ass, grass, or rations, no one rides for free.
DOMINIC
Do you want to hang for a bit?
ROXANNE
No…I may be funny about that for a while. I found out about her right after you and me fooled around; I still had a goofy grin on my face when I walked through that door, and there was Shelly with the news. Screwed me up a little. Might take some time to forget.
DOMINIC
Sure.
ROXANNE
Anyway, if Thee’s not ready to guilt trip me yet, I might as well get Dad and Shelly out of the way.
DOMINIC
Okay. Thee wants you to leave home an hour early tomorrow, so there’ll be time to talk before you’re due at work. But if you hear pebbles against your window tonight, that’ll be me to get you out of here.
ROXANNE
I’ll try to be ready. Okay, wish me luck.
DOMINIC
Good luck.
ROXANNE
So that stuff was really important?
DOMINIC
Seems like it.
ROXANNE
Then I say we part with a high-five.
Slap.
SETTING – SCHOLL HOUSE
Door opens, crickets, door closes.
ROXANNE
Is someone there?
RONALD
It’s me, Roxanne.
Light switch.
ROXANNE
Dad!
She walks up to him, hesitates.
ROXANNE
Can I…would it be okay if I hugged you?
RONALD
Of course. Please do.
Roxanne hugs Ronald.
ROXANNE
I’m so sorry about Mom.
RONALD
I know. Shelly shared the experience of telling you.
Roxanne drops the hug.
ROXANNE
Oh.
RONALD
I am sorry that your sister was so harsh with you. You should understand, she is in a great deal of distress, and some of it may cause her to place blame on inappropriate targets.
ROXANNE
That happens to all of us. Were you waiting up for me?
RONALD
I was.
ROXANNE
Oh, Dad, I might have been out all night.
RONALD
I…hypothesized, that since your sister barred you from the house until midnight, you would be back around then, if not before.
ROXANNE
I guess you know us pretty well.
RONALD
I have tried to.
ROXANNE
I’m surprised you waited in here, rather than being outside where you could look up at the sky.
RONALD
I…there were reasons for me to wait here.
ROXANNE
Ooookay. Do you want to talk about them?
RONALD
I do not.
ROXANNE
I see. Is there anything you do want to talk about?
RONALD
I…wanted to assure you that I am here for you.
ROXANNE
Thanks, Daddy. But how are you? You said that Shelly was hurt, but what about you?
RONALD
I am…adjusting. Losing your mother is a significant diminishment in my life, but there is a great deal left to live for.
ROXANNE
Well, keep in mind that I’m here for you, too.
RONALD
Thank you, but I have the Unity to comfort me. I…think I will go outside and communicate with them now.
ROXANNE
Oh. Okay. Guess I’ll go up to bed, then.
Roxanne starts up the stairs.
RONALD
Oh, Roxanne?
ROXANNE
Yes, Daddy?
RONALD
Did you speak with your mother at work today?
*awkward pause*
It just occurred to me that you might have…while you were both there.
ROXANNE
No. I didn’t see her.
RONALD
Oh, well that is unfortunate. You might have had some insight into…her situation…that others would miss. Good night, Roxanne.
ROXANNE
Good night.
Roxanne goes up the stairs, slowly.
SETTING – LIAISON OFFICE
CARRIE
Good morning, Janice.
JANICE
Good morning, Carrie. I was not expecting you so early.
CARRIE
Couldn’t sleep, too much tension. Can’t tell you why. Any word about Roxanne Scholl?
JANICE
We checked in with the watchers twelve minutes ago, and they said she had not left the house. Should I check again?
CARRIE
No need. I’ll be heading over there once I check in.
JANICE
Very good. You will probably want to know that I received a message just before you arrived, advising you to go to the basement.
CARRIE
Oh my. This could be it.
JANICE
Could be what?
Carrie starts to exit.
CARRIE
Can’t say, Janice. I’ll be back soon!
Elevator noise.
SETTING – Justin’s Room
Usual entering sounds.
JUSTIN
Mrs. Kray.
CARRIE
Justin! Do you have a reply?
JUSTIN
I do.
CARRIE
What is it?
JUSTIN
I…will read it to you: “Thank you for information. Your progress is promising, but not as advanced as I require. Given that, cannot reciprocate at this time. Hope earlier Resistance data was useful. Cannot give more. Will not use this channel of communication again. Apologies, and good wishes. Let Unity Prevail.”
CARRIE
That’s it?
JUSTIN
That is it.
CARRIE
So it was all for nothing.
JUSTIN
Valuable intelligence was gained. And also insights that might be of use at a later time.
CARRIE
But we don’t have the AlphaBeta. We don’t even know if there really was one. Or even if the contact was really an Alpha on our side.
JUSTIN
I am…sorry…that you feel frustrated, Carrie. I can only say, from my prior experience, that this is sometimes the way these things go.
CARRIE
I don’t belong here.
JUSTIN
Carrie?
CARRIE
I’m sorry. I’m not right for this. I’m going back to my husband, and my old job. I’m sorry that you have to stay here alone, but there must be someone better for this than me. Do you have a phone I can use?
JUSTIN
*shocked, on auto-pilot*
Right here.
Carrie dials a short number.
CARRIE
Thank you. Janice?
JANICE (on phone)
Yes, Carrie?
CARRIE
Please have the car fueled up. I’m going home. Get your things, too. I’ll be making a report to the Governor, but I should be ready to leave within two hours. I’ll see you then.
JANICE
But, Carrie…
CARRIE
Yes, what?
JANICE
You were going to interview Roxanne Scholl.
CARRIE
*frustrated breath*
That’s not even my case. I was just butting-in. Take off the surveillance, let the investigators know I’m withdrawing. If they want to talk to her, they’re welcome to. She doesn’t like me, anyway.
JANICE
Yes, Carrie.
SETTING – RESISTANCE HEADQUARTERS. Sounds of computers and light.
Brewster typing.
DOMINIC
Um…Thee? Roxanne is outside.
BREWSTER
*heavy breath*
Send her in.
Roxanne enters.
BREWSTER
I see you look a little the worse for wear this morning. Does the early hour not agree with you?
ROXANNE
A little of that. But I had a really long session with Shelly while I was sleeping, and it has me kind of messed up.
BREWSTER
You’ve told her about your mother, then.
ROXANNE
She already knew. She’d been screaming from behind her eyes for hours. She took a lot of calming down.
BREWSTER
Well I am sorry for your loss. But time is short, so I will be brief. Your venture was successful beyond any reasonable expectation, both bringing in valuable scientific data and detailing our own compromised intelligence.
ROXANNE
Dom told me about that. Does that tell you who the mole is?
BREWSTER
Not specifically, but it narrowed our list. We are making changes now in order to remove all remaining suspects from positions of responsibility.
ROXANNE
Can I know what the scientific stuff was about?
BREWSTER
Only because you will be guiding your sister to find more. Briefly: The Lookers are not close to breaking immunity, despite a great deal of effort, unrestricted by what we would call medical ethics. They have had some success in creating a synthetic version of The Look that has a limited effect on Immunes, but nothing like a full infection. And their attempts to directly introduce the Look into subject brains, bypassing the eyes, which would be necessary in order to infect the blind, have been completely unsuccessful. This is encouraging, and their research will also be a valuable addition to our own in terms of finding vulnerabilities in the infection, but it does not point to any immediate breakthrough for either side.
ROXANNE
If none of it is conclusive, why are you firing everybody? I mean, the Mole hasn’t turned me in, right?
BREWSTER
Even if we chose to rely on the Mole keeping your secret, he has shown a willingness to turn over other information, and we cannot allow your trove to be revealed. Its sudden appearance in our hands can only point to Carrie Kray, and from there, to you.
ROXANNE
Does that mean I’m staying here?
BREWSTER
*another weary breath*
There are a lot of factors which must be weighed in order to decide whether it is more dangerous to keep you here or to send you away. You will be discussing this with your case officer.
ROXANNE
Case officer?
BREWSTER
I have too much on my plate to continue babysitting you. And it seems that you do not fully respect me as a figure of authority.
ROXANNE
I have tremendous respect for you.
BREWSTER
My thanks, but the decision is made. Ah, here he is.
Craig enters.
CRAIG
Hello, Miss Scholl.
ROXANNE
*gasps slightly*
BREWSTER
Major, debrief our young secret agent here. You have less than an hour to assess whether she has a decent chance of making it through the day without being arrested. If you decide she is staying in the area, you will oversee her training from now on. Do you agree to this, Miss Scholl?
ROXANNE
Y-yes?
BREWSTER
Good. I have a great deal to do, so you two can please carry out your business somewhere else. Perhaps Room D. Dismissed.
CRAIG
I believe you know the way, Ms. Scholl?
ROXANNE
I do.
Roxanne and Craig exit, we follow them. He starts undoing the locks on Room D.
ROXANNE
This brings back some memories.
CRAIG
Interesting times.
ROXANNE
How’s your arm?
CRAIG
I can always tell when it’s going to rain.
ROXANNE
And is it?
Craig swings open the Room D door.
CRAIG
Let’s stick to the subject, Ms. Scholl. There’s not a lot of time.
Roxanne walks in. The door slams shut.
SETTING – INTELLIGENCE OFFICE
JIM
Hey!
MARTHA
*muted*
Hey.
JIM
You almost boxed up?
MARTHA
The stuff down here, yeah. I need to start on my office upstairs, and then of course have it all vetted for secret messages to our Looker masters.
JIM
Y’know, talking like that doesn’t make people any less suspicious of us.
MARTHA
Don’t care.
JIM
Do you know if we got today’s delivery? It would be good to know Rox and Shelly are okay before we have to leave.
MARTHA
Nikki’s overdue.
JIM
Ah. Heh. Don’t let her hear you call her that.
MARTHA
Whatever. Going upstairs.
Martha leaves. Jim throws some things into a moving box.
NICOLE
Knock, knock.
JIM
Nicole! We were just talking about you.
NICOLE
Nothing good, I hope.
JIM
Martha doesn’t have much good to say about anybody. You hear?
NICOLE
Yeah, it sucks that you guys got caught in this. But I have to admit, I feel a little safer knowing that they’re doing something. Felt like the Lookers were getting closer to me every day, and that’s not even counting Roxanne.
JIM
That’s the first time I’ve heard you call her by name. Y’know, since I’m leaving anyway, tell me: What have you got against her?
NICOLE
Who says I have something against her?
JIM
Shelly, in the reports. She says Roxanne thinks you don’t like her.
NICOLE
Ha. That’s what I get for not disobeying orders and reading the things I carry. No, I met Roxanne early on, and crushed on her in a big way. But she was a Stayer, which meant getting with her might be bad for my job prospects, so I let it slide for a while. And then one day I come back from a run and she’s with Dominic. And I don’t cut in on family.
JIM
Huh, do you know if she’d’ve been interested?
NICOLE
Don’t know, probably never will. The coward tastes death a thousand times. So yeah, I guess I made it strictly business with her, and she read it as dislike. I’m self-protective like that. I’ve spent enough of my life gaga over people who aren’t into me.
JIM
Heh. Like Martha?
NICOLE
Martha and me just like to play pretend. Much like you.
JIM
Me?
NICOLE
Since we’re laying it all out, I’m guessing you’re not into girls. Ones on this plane of existence, anyway.
JIM
You think you’ve got some pretty advanced gaydar, huh?
NICOLE
For women it’s been shit, but for guys I’ve got a good track record.
JIM
*long breath*
Well your record is still good. But keep it to yourself, please. People here act nice, but it feels like it’s only for other people like themselves. And if things turned sour…it’s not like I can go away to college or the big city.
NICOLE
So were you really into Shelly, or was she just the ultimate Canadian Girlfriend?
JIM
I really feel for her, but I guess it could be two things.
NICOLE
So what do you do now?
JIM
I find something else to do, and make some kind of peace with rural life.
NICOLE
Here, or are you transferring out?
JIM
They offered to smuggle us out if we wanted. I have a feeling they’d really like us far away from this office. But of course there’s all kinds of danger involved, so they’re not forcing it. And I don’t see much point in one Overlook over another.
NICOLE
Transfer to number Nine.
JIM
Number Nine?
Martha walks back in.
MARTHA
Arrrgh.
NICOLE
There are sympathetic people there.
MARTHA
Sympathetic to what?
NICOLE
None of your business, MILF.
JIM
What’s wrong, Martha?
MARTHA
They’re in my office. Can’t get anything done there. Listen, I’m taking a piss, then I’m going to need the room for a minute.
JIM
No problem.
Martha leaves.
JIM
Number Nine, huh?
NICOLE
No guarantees, but I’ve had the luxury of looking around, and that one’s the most open-minded.
JIM
Thanks. So you caught onto me right away?
NICOLE
Suspicious right away, wasn’t sure until that whole thing with Martha, about you and Ray watching us get down.
JIM
Oh yeah. And did you catch on about Ray?
Beat.
NICOLE
What about him?
JIM
Ha. Martha was snowing you. Ray wouldn’t watch.
NICOLE
Why not? He got something against girls having fun?
JIM
He’s blind.
NICOLE
*impressed*
No shit! And Martha just stood there and let me be wrong.
JIM
She’s a pretty cool customer, when she isn’t pretending to be a bully.
Martha comes back.
NICOLE
I’m not sure that’s pretend.
MARTHA
What are we talking about now?
NICOLE
Your bitchiness.
MARTHA
100% genuine. Jim, sorry to be pulling rank on you one last time…
JIM
No, that’s fine, I can leave for a bit.
NICOLE
Come on Jim, take me somewhere where a girl fresh from a dusty road can wet her whistle and have a last toast with a comrade.
JIM
Absolutely.
MARTHA
Where are you thinking?
NICOLE
Don’t tell her, Jim. She’s a spy, let her figure it out.
MARTHA
Ex-spy.
NICOLE
Then I think you’d like having one last mission.
JIM
Bye Martha, see you soon.
They leave. Martha dials the phone.
MARTHA
Hey Ray. Pretty sucky day, as expected. No, they’re absolutely firm that I can’t work here anymore, or do intel anywhere in this Overlook. No, I don’t think transferring would make much difference. Besides, am I going to leave you behind for who-knows-how-long? Yeah, maybe you could deal with it, but I couldn’t. I need you. No, coming with wouldn’t work either. I’m not going to take the house and friends you’re used to away from you. I wouldn’t change everything unless I knew the new way was better for you; and there’s no assurance of that. So I’m packing up, coming home, getting whatever job I can find, and we’ll sit back and let the war take care of itself. I’ve made my last Earth-shaking decision. No, can’t tell you what it was. Probably never. I’m going to try to just forget the whole thing. Love you. Kisses when I get home.
Martha hangs up.
MARTHA
*softly*
Let Unity Prevail. But not yet. Not until it can really be everyone.
SILENCE
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